In the novel, Carrie and her mother lack a healthy mental life. Im going to analyse a scene from Brian De Palmas Carrie. And totally memorable. Sue is instinctively able to communicate telepathically with Carrie: (whos there) And Sue, without thought, spoke in the same fashion: (me sue snell).. Andthe end Sue is a much more straightforward friend to Carrie, with their mad dash across state lines evoking shades of Thelma and Louise. One of the most memorable shots in the film occurs during the prom scene, in which Carrie's vertiginous mental state is depicted with a piece of dizzying camerawork. In screenwriter Bryan Fuller and director David Carsons adaptation, no one gets haunted by Carrie, either literally or figuratively, because Carrie doesnt die. The version of Sue in this film is a slightly smoothed-out version of Kings character not quite as cruel or derisive in her worst moments but Pierce does maintain Sues complexity and the connection between her and Carrie. Carrie just happens to be the weakest so she bears the brunt of the evil which explodes forth from Chris. Posted on February 7, 2016 by asenaoyzoyn. Your email address will not be published. Interiority is not the provenance of the novel alone. Its a significant alteration. But Carrie is not the evil in this story. Sue tries to meet Carrie by following her telepathic message. This kind of horror story suits a spooky or bloody twist ending; it may even demand one. By ending with this reference de Palma aligns Carrie with these psychopaths, recasts Carrie simply as a creature haunting Sues unconscious. There is a difference, though. Made by Carrie out of crushed red velvet, her prom dress has a princess waistline, Juliette sleeves, and a simple skirt. But you can only push someone so far. Even after her powerful father tries to use his influence to undo the damage Chris has done and get back into the prom, Chris believes she is Carries victim. The intention of the editing and sound is to set up tension in the build up to the pig's blood being poured on Carrie. As Sissy Spacek's unlikely prom queen takes the stage to be crowned, De Palma toys with us to the point of cruelty. This is achieved by an eye line match, as her awareness grows; the camera follows her line of vision. This measure was also taken to maintain visual continuity in the film, as the fake blood would often dry under the hot filming lights and stick to Spacek's body. In the final scene of Pierces theatrical cut, Sue is interviewed by an investigative committee, the only extant footage of the White Commission. Most importantly, the two see each other. (Peirce doesn't show nudity; this time it's all about the girls' emotions.). Sue decides to meet her as she hears the telepathic message. The scene is then split into two frames; one of De Palma signature trademarks is the use of a split scene. Her haunting you from inside your own body. Trying to overrun her, Carrie sends Chriss car flying through a wall, killing them. This ending sits a lot more strangely with the rest of Pierces film because it seems to undermine the connection established between Sue and Carrie at Carries death by ending on a note of fear. In de Palmas version of the story, Sue is locked out of the gymnasium just before the bucket of blood drops and does not appear again on screen until after Carrie is dead. Whereas the cinematography and mise-en- scene create a fairy tale like dreamy effect to showcase Carries almost magical experience at prom. Spoiler alert: important details of the novel are revealed below. The prom is a masterpiece of mixed-media slaughter, "Hellraiser" by way of Columbine. the protagonist is jolted awake by a nightmare of the sadistic cannibal strangers who hunted him throughout the film. After showing reluctance for a while, Carrie accepts Tommys invitation. Sissy Spacek was so dedicated to the authenticity of her performance that she refused the use of a stunt double during the graveyard finale, in which only her hand appears bursting out of the soil. I will be focusing on the iconic prom scene which serves as the climax of the film, as Carrie takes revenge on her high school bullies after constantly being tormented. This shot intertwines the sequence of the photographer in an iris shape; this creates an almost psychedelic atmosphere which is a staple of the 70s. The story of Carrie begins in a locker room after a young teenage girl, Carrie, finishes attending gym class. This Carrie White (played by Chlo Grace Moretz of the "Kick-Ass" films) is more conventionally pretty than the scrawny, big-eyed misfit played by Sissy Spacek in DePalma's classic. Critics panned the Pierces adaptation and called it unnecessary given its similarity to the still-iconic de Palma film. He would have scored Carrie as well but passed away in 1975. The universal agreement seems to be the story is about a repressed young girl blossoming into womanhood with a vengeance. Her mother stabs her in the shoulders, and Carrie stops her heart. The easiest answer might be in the question: Kings ending is highly novelistic. Sues testimony from the hearing continues in voiceover: You want an explanation? Carrie is one of the most iconic horror movies ever made, and here are 10 interesting behind the scenes facts about the film. Carries momma had also warned her daughter, on more than one occasion. A state of emergency is declared in Chamberlain as the death toll reaches four hundred people. Sue is still pregnant and clutches her belly, still screaming, as her mother holds her hand. Only she quickly discovers that Momma is looking to kill her first. The Best, Craziest, Weirdest Moments From Cannes, Your Privacy Choices: Opt Out of Sale/Targeted Ads. We may earn commission from links on this page, but we only recommend products we back. He slows the scene down, lingering on Carrie's smiling, oblivious face, and the wide-eyed gazes of the cool kids plotting to take her down as the melodramatic music swells. Even when Carrie tried her best to fit in, she still got rejected; this only added to her torture. In the final scene of Carries story, Sue finds a wounded, dying Carrie on the road after Carrie has killed her own mother and her tormentors, Chris and Billy. Carrie is a retelling of the Cinderella story, allowing readers to witness the transformation of "ugly" Carrie White into the queen of the prom, escorted by the most handsome boy in school . 'Carrie' by Stephen King is a novel that tells the story of a teenage girl Carrie, who faced torment in many aspects of her life. All rights reserved. Psychologically, Carrie White (white as a baby's innocence) is a baby going to school with teenagers. Sue lays down her rose. When. had a famously troubled production and post-production. Again and again. The 2002 made-for-television adaptation of Carrie offers another ending for the story that differs dramatically from the novel and the film adaptations and for good reason. The script has Chris be exaggeratedly "evil" when it serves the plot, but life-sized elsewhere. Being a gothic horror novel,Carriehas influenced American culture as it made people see the dark side of the mind of those who get bullied. And ghost-Carrie does seem like the most obvious interpretation if we take this moment literally and as integral to the film. It's a product of her horrid home life, and the knowledge that she has undefined powers that make her different from other kids, and that they're flowering along with the onset of puberty, and that her mother Margaret (Julianne Moore) sees them as signs of evil, rather than world-changing human potential. I will be focusing on the iconic prom scene which serves as the climax of the film, as Carrie takes revenge on her high school bullies after constantly being tormented. is gore, the horror of mass murders and pigs blood. Tommy dies after the bucket falls on his head. Based on Stephen King's first published novel, the story centers on Carrie (Sissy Spacek), a timid teenage girl who is bullied in school by popular girls and tormented at home by her fanatically religious mother (Piper Laurie). The final scene of de Palmas film begins with Sues mother talking on the phone about Sues slow recovery from the trauma of prom night. Carrie essays are academic essays for citation. Carrie stops her mothers heart, killing her. The 10 Best Brian De Palma Movies, Ranked (According To IMDB). And when Carrie unleashes the full brunt of her powers, it's a magnificent and appalling spectaclethe teenage sci-fi rampage that the "X-Men" films never dared show us. RELATED: Every Carrie Movie Ranked, Worst To Best. However, she discovers herself, and her life completely changes. Chris and her boyfriend, Billy, decide to exert revenge on Carrie by filling pigs blood in two buckets. See if I dont!, We should have taken those rags and stuffed them down her throat.. Carrie's prom scene serves as a climatic eruption of revenge. One story. This adaptation ofCarrie maintains Sues prominence and the connection between the two, but makes both more palatable, comfortable characters. In contrast to DePalma's version, Carrie's mom seems less a standard-issue, frothing-at-the-mouth "religious nut" movie character than a mentally ill single mom, eking out a living as a seamstress and dry cleaner. In a story steeped in the horrific feminine from Margaret Whites sexualized abuse to Chris Hargensens vicious bullying to the bloody terror Carrie wreaks on the town Sue and her last-minute vulnerability to Carrie is one of the few examples of imperfect, but ultimately compassionate womanhood the story offers has to offer. Suddenly Margaret is standing behind her, croaking sin never dies. Carrie jolts awake and finds herself in Sues car. De Palma had to constantly remind her on set they were making a horror movie instead. The words Carrie White burns in hell appear again here, this time scrawled in red paint across Carries actual gravestone. This girl Carrie isn't another stereotyped product of the horror production line; she's a shy, pretty, and complicated high school senior who's a lot like kids we once knew. Carrieshows how bullying affects the mind of young adults and shapes them to become enemies of society. She would hole up in her trailer, which was adorned with a slew of religious regalia including Gustave Dore's illustrated Bible. The final paragraph reinforces the connection between Carrie and Sue by mirroring the novels opening trauma, only this time it is Sue who feels blood run down her legs. A man patronizingly tells Sue that she was under an enormous amount of stress and asks if its. De Palmas film also reduces the role Sue plays in the story and the depth of her characterization. She acknowledges that yes, her boyfriend and all of her friends died that night, but she knows what she saw. Chris Hargensen always seems to be there; always seems to have been there. There is a straight cut to a POV shot of the audience from Carries perspective. She is not good. However, it uses an omniscient narrator for most of its story. Carrie White is, famously, a victim of bullying and abuse, but in Kings hands she isnt a perfect victim. The character of Norma (P.J. Before they break.. During her rampage, Carrie was projecting her thoughts into the minds of others, allowing Sue to track her down. Its Carrie who inspires Sues first transgressions against the social order: Sue rebels against the cruel, popular Chris Hargensen by accepting her share of the punishment for abusing Carrie and flouts the expectations of her peers by sending Carrie to prom in her place. And of course, Carries actions on prom night obviously ensure Sues life will never be the same. Carrie makes it home to kill Momma. Brian de Palmas 1976 film is is the first, most famous, and most widely-praised adaptation of. Prom Dress. After you claim a section youll have 24 hours to send in a draft. Where Pierces film does diverge from de Palmas somewhat is in its restoration of Sue as a main character. The sequence was filmed, but the effect of the rocks did not result in De Palma's liking, so the ending was changed. King crafts a lean, chilling, and insightful story that has at its heart a pair of complicated teenage girls who resist easy characterization. The film Carrie (Brian De Palma, 1976) follows the protagonist Carrie White, Sissy Spacek, who is a shy high school student residing in a small town. Brian de Palmas 1976 film is is the first, most famous, and most widely-praised adaptation of Carrie. Of course, it goes without saying that checking off that list of sins, Carries pen could mark an X next to None of the Above. Carrie never fell prey to even normal teenage lust. The book featured both first and third-person perspectives. This interpretation is supported by de Palmas comments that the final scene of his film was inspired by the 1972 thriller Deliverance. The disaster climax of the original 1976 Carrie is like any top-tier, truly unforgettable scene in cinema so well-known that you don't even have to see it to know it. There is a heavy use of cross cutting between Sue who is getting kicked out of the prom (the gym teacher assumes she is there to sabotage Carrie), Carrie and Tommy who are on the stage receiving praise from the audience. Its also not Pierces original ending. On prom day, Carrie and Tommy have a good time as she meets his friends and talks with him. The editing is slow and deliberate, for example the camera tracks Sues eye line to show the audience the bucket of blood. Brian De Palma has forged a reputation as a director who often pays homage to his cinematic idol, Alfred Hitchcock. Sue isalternately hostile and generous, and conformist and defiant but always acutely self-aware. Cohen: To keep the prom action continuous, I agreed with Brian to excise an interlude [Stephen King] had created after the blood fell in which Carrie fled the gym, ran across the school's front . Ironically while the rest of the cut footage was rumoured to me much more consistent with Kings novel, this ending borrows significantly from de Palmas film, with Pierce doing him one better on the shock front after all, whats more horrifying that someone haunting you from beyond the grave? He shows the bucket of blood. It is through your support of visiting Book Analysis that we can support charities, such as Teenage Cancer Trust. From Tommy to Chris, Billy, and almost all of Carries classmates, the death toll in the novel was staggering. Miss Desjardin, the gym teacher, places the girls on punishment, and after their leader Chris protests, she gets banned from prom. In Pierces adaption, Sue does find Carrie at the end of the latters reign of terror; she tries to help Carrie out of the rapidly disintegrating house and pull her to safety. The camera is static when showing Carrie, in contrast to her victims, this shows that she is now in control. Show her that if she had remained sinless the Curse of Blood never would have come on her. The scene then shifts to a rainy graveyard, where a black-clad Sue is walking with a single white rose in her hand. Using epistolary writing, Stephen King designed Carrie to show different angles of characters who mattered to the story. The editing also manages to showcase Carries telekinetic powers with minimal use of special effects. Its a quiet, intense scene of reckoning and recognition, one that all three adaptations of Kings novel have diverged from pretty widely in different ways. Its about the horror of being alone in the dark. Chris is so beyond redemption that she actually believes she is the victim. Peirce and screenwriters Lawrence D. Cohen and Roberto Aguirre-Sacasa give the whole film this kind of heartfelt, inside-out re-imagining. Killed a bunch of people. The first "Carrie" was horror. Her mother freaks out, claiming that she is a sinner. Howdo you solve a problem like Carrie? Carrie tries to kill sue, but after discovering Sue did not plot with Chris to humiliate her, she freed her. Her myopic view on religion got passed on to her daughter, and after Carrie resisted, Margaret used subjugation to break her. If we accept that Carrie has suddenly become a ghost, we can be reasonably sure she isnt haunting Sue. Even after the blood comes in the locker room, Carrie remains innocent. But when famed production designer Jack Fisk suggested his wife Sisssy Spacek audition, everything changed. The movie links Carrie's burgeoning power to creativity, watching her develop her gifts until, at the end, she is assured enough to preside over a combination Grand Guignol play and art exhibit. This adaptation was intended as a backdoor pilot for an ongoing Carrie television series (it wasnt picked up). Carrie discovers she is not an ordinary person as she discovers she has telekinetic powers. Once Sue passes, the music builds, nearby fallen leaves begin to levitate in the air, and, with the sound of a scream, Carries headstone cracks. Privacy Policy, https://bookanalysis.com/stephen-king/carrie/summary/. The 2002 made-for-television adaptation of, offers another ending for the story that differs dramatically from the novel and the film adaptations and for good reason. The music slowly begins to pick up its tempo when Sues realisation becomes apparent. Some girls, led by Christine Hargensen, start throwing tampons at her. On discovering she got denied going to prom, Chris swears revenge on Carrie, which is one of the major themes in Carrie. Even though its ending was tragic, the story followed Carrie as she transformed from a young girl into a woman. A shy girl, outcast by her peers and sheltered by . Because Carrie is an abused child, she feels ugly; because she feels ugly, she radiates a sense of worthlessness. The fact that Carrie is silent about the abuse she suffers at home and school is contrasted to the prom scene where she is also silent but she finally takes control and the silence signifies that. Its not an entirely faithful adaptation of the original end of. Carrie Themes and Analysis . Mentioning Stephen King's classic 1974 horror novel likely calls to mind one of two iconic scenes: Carrie getting her period for the first time in the school shower and being pelted with tampons as her classmates scream "Plug it up!" or Carrie wreaking fatal havoc on a gym full of students after being drenched in pig's blood just as she was Its incredibly satisfying: poignant but not too pat. This is a good impulse, but the movie doesn't properly follow through on it. In contrast to DePalma's version, Carrie's mom seems less a standard-issue, frothing-at-the-mouth "religious nut" movie character than a mentally ill single mom, eking out a living as a seamstress and dry cleaner.
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